Sunday, July 21, 2024

Book Review: Borderline

Image: the cover of the book is an off white background with a pointilized ribbon of black descending down the page. In the middle in red letters is borderline. Below that inside a mustard circle with black letters is "the biography of a personality disorder." In the upper left in red is "Alexander Kriss, PhD."
 

This book was an interesting surprise. Usually going into any sort of pop psychology book I have somewhat low expectations. Part of this is because dominant culture is often woven throughout so much that it becomes frustrating. Part of it is that complex medical systems that are already problematic even at the academic level are simplified down too much. Part of it is that we sometimes get way too much of the author's bias or unethical oversharing.

The latter part ended up being a lot different than it usually is in this case. Borderline is a foray into history by Alexander Kriss that is composed alongside (mostly) a single case study. I often feel nervous about these sorts of things being shared even when identifying information is claimed to have been removed because psychological care should be 100% private. In this case though, it comes across that this was done quite thoughtfully and with consent and input from the patient whose case is at the center. There's even a clear discussion about the power dynamics at hand and if a patient can consent properly to something like this. I think the reason it works in this case is because the author is a psychoanalyst of the more classic type that spends multiple days a week over an extended period of time with their client. This results in a level of connection and intimacy that is inescapable. I found the accounts in this book to be honest in this regard as much as I can tell from the writing. The author was also open about his thought processes, mistakes, and shortcomings.

As much as my former advisors and professors would probably be disappointed, I love psychoanalysis. I love its fantastical focus on the unconscious and all of the things that we can't possibly measure. I love that it's near impossible to quantify and study like biopsychology or cognitive neuroscience, which is what most of my education was based on when I went to school for psychology.

I would say that this book is not really a biography of borderline personality disorder such that a complete beginner could pick it up and learn about it. I saw it as more of an expansion on the rather one-dimensional way that the disorder is viewed by many today. Kriss weaves together the long history of maladies attributed to women and argues that hysteria and related diagnoses of the past are older names for the same syndrome now known as borderline personality disorder. As a result, I think it will work better for folks with a foundational understanding of the current definition and manifestations of bpd diagnoses.

One of the best parts about how this book does history is that Kriss discusses the social position of the psychologists and theorists he is focused on. I went through years of school and psychology classes learning about dead men and their thoughts on the womens brains without ever learning which ones of them were slavers. We never discussed how Sigmund Freud being Jewish affected his place in the field and how he approached topics. We never discussed how American capitalism would be used to shape the direction of psychology when certain ideas arrived from overseas. There was rarely any discussion of patriarchy or privilege. Freud as a name was always attributed to Sigmund, not Anna, despite the latter having far more accurate and grounded beliefs albeit still problematic. I felt that I learned so much more about these various theorists by understanding their position in the world at the time.

One of the most surprising things to me is that Sigmund Freud, Sándor Ferenczi, and others were actually closer to reality in the beginning of their theories about why women are suffering (sexual abuse and exposure to trauma) before Freud decided to go extra misogynistic and buried his own history and Ferenczi's work. Through all of these histories, Kriss makes it pretty impossible to deny how current day treatment of borderline personality disorder isn't a whole lot better or more evolved than the treatment of Hysteria in the past. It might even be worse in terms of predicting the ability to heal because at least in the past it wasn't assumed that the patient was doomed as soon as the label was slapped on them.

Kriss also covers more modern day manifestations of care for borderline personality disorder and disorders related to traumatic experience. He has more favorable yet still nuanced takes on dialectical behavioral therapy and treatments around post-traumatic stress. He discusses as well the ways in which psychoanalytic concepts such as splitting were redefined as if they were new concepts with labels like multiple personality disorder. There is a case study he is careful to discuss with someone I would argue was manipulated by an internet "friend" into believing they have "dissociative identity disorder" and played the part. Kriss seems to argue more that people all have varying degrees of splitting into other personalities in one way or another, some of which are dysfunctional and some of which are just normal. It's more complicated than that, but that would make this a very long review.

Kriss has a lot to say about the DSM and modern day psychology centering it. Rightfully so. Something I learned in particular from this book was that PTSD being entered into the DSM was the first time that a disorder symptomology included an external event being the cause. Everything else is about problems with the individual. That is bananas to me. I knew this problematic aspect of diagnostic practices but had no idea that the environment was that absent from the DSM.

I will share one quote that stood out to me regarding how many paradigms claim we must create a new self while mourning the old one we somehow lost to a trauma or illness:
"We always add, never subtract. All the way down to the psychotic core, we can only be ourselves and the things that happen to us, that make us ill, also have the potential to serve as sources of empathy and ideas that challenge a toxic status quo."

Overall I really liked this compassionate psychoanalytic foray into the previously unknown to me long history of borderline personality disorder. I hope it will foster more empathy toward those with the label and lead to better outcomes for them and the world that we share.

 This was also posted to my goodreads and storygraph.

Saturday, July 20, 2024

Book Review: The Blueprint

Image: the cover of the book is a yellow background with light grey rectangles repeating in toward the center. Weaving in and out of the rectangles is an illustration of olive colored bird entangled in the grip of an orange and yellow snake. On the upper left in black is "the blue print" and across the bottom is the authors name - Rae Giana Rashad.

It's difficult not to invoke The Handmaid's Tale when talking about a book like Rae Giana Rashad's The Blueprint. There are many pieces of it that resemble popular texts that came before it. However, given that one of the main criticisms of books like THT, despite Atwood clearly saying that she never meant it as a depiction of something that had never happened, is that they often focus on oppression of white women that has already been enacted upon Black women and others throughout American history. The Blueprint is somewhat of a cyberpunk adjacent dystopia taking place in an alternate history, present, and future- told from alternating time periods in different chapters. Chattel slavery was not abolished but instead shifted to a system where Black women in particular are still purchased and abused through a high tech system involving an algorithm which assigns women to men based on their social class and profession among other dystopian characteristics. The book is told both from the point of view of the protagonist and her biography of her enslaved ancestor, making evident the myriad of ways in which the two timelines collide.

I found this book to be beautifully written and the world building to be immersive. The book is extremely dark, but it did not feel pointlessly so or like trauma porn. The stage felt real and the characters were all believable as people. Part of this is likely because they are also messy just like real life. There is a lot of focus on intercommunity dynamics and how oppressed groups of people can mistreat one another when individuals are grasping at and holding on to any little bit of power they can get when the rest is taken from them. There were lots of themes about Black love, hurt, expectation, suffering, and liberation. There were discussions of power dynamics and at what level power prevents love and respect from being able to occur.

I admit about 2/3 of the way through I felt myself less engaged with the book, but I can't quite pinpoint why. It may have been the shift in focus to specific relationships. It's interesting because at other less dark times I found myself thinking, "why is everyone focusing on creating this relationship drama at this moment?" and then remembering that in any situation I have been in no matter how dire, there is always relationship drama going on. So, it's not necessarily a poor creative choice.

The best part of the book is Butters sharing her wisdom, but I won't say much more than that in order to avoid spoilers. I look forward to more writing from this author in the future as she expands on these genres in skillful and engaging ways.

This was also posted to my goodreads and storygraph